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Printmaking and editions are a reflective tool within my practice allowing me to answer questions that I am having about my art. Below is an archive of all 'Editions', these include prints and bronze castings. Click on the images below for more details about each edition. To find out about future print releases, sign up to the JPR_Stitch mailing list. |
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Daily Stitch Drawings - Year 1
Daily Stitch Drawings
Year 1
1st November 2023 – 31st October 2024
Black and white digital print on 250gsm silk paper
Signed, titled and numbered in pencil
Edition of 24 (plus 2 artist proofs)
59.4 x 42 cm (Sheet size)
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July 24
A set of 12 individual prints, each created from a blind stitch embossing on inked collaged printmaking paper, mounted onto a black stained plywood backboard with stand. Each signed, titled and numbered on verso.
Edition of 6 sets (each set comprising 12 individual prints, each print is hand made so there are variations between each set)
Each 10 (width) x 16 (height) x 4 (depth) cm
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Nov 23
An edition of two prints created from the combining of a selection of my past stitchings. The edition, titled 'Nov 23 - Balance, Tranquillity, Complexity, Noise', aimed to distil and capture the essence of why I create. There are two sizes (small and large), click on the images below for more details about each edition.
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Aug 23
A set of 20 embossed prints each hand finished with pen and ink. The edition examined the drip patterns of the back of the stained boards that my stitchings are displayed on, each print captures a different drip pattern. The edition aimed to consider how balance can appear even within randomness. Click on the images below for more details about each edition.
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Feb 23
A set of three blind stitch embossed prints with a design that flows from one print into the next. The edition looked to explore how the concept of collection artworks could flow into prints whilst also looking to understand the relationship between complexity (embossing) and simplicity (un-embossed area), as well as the idea of border and where an artwork starts and finishes. Click on the images below for more details about each edition.
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Dec 22 (Bronze)
Bronze casting created from freehand machine embroidery with one area of polished bronze and one area of Verdigris patination. Float mounted onto a black patinated bronze base plate. The title reflects the date the artwork was completed.
Bronze embroidery casting – 15.5 cm wide x 21.5 cm high x 1 cm deep
Artwork (including bronze base plate) – 27 cm wide x 33 cm high x 3 cm deep
From the edition of 3
Engraved signature and title on verso. -
Nov 22
A set of three blind stitch embossings on paper. The edition looked to understand how texture was important to my practice as well as questioning the importance of contrasting texture with negative space. These prints are a fingerprint on a window, a footstep in the sand - the stitching is pressed into the paper, leaving behind a memory of the stitching, a trace, its essence. Click on the images below for more details about each edition.
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July 22
These were the first JPR Stitch edition and were the start of me using printmaking as a reflective tool within my practice. This set of three prints looked to understand the importance of line, shape and colour and how colour effects balance and composition. Click on the images below for more details about each edition.
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