JPR Stitch (aka. Dr. Jack Roberts) is an artist known for his unique approach to stitching and embroidery. He uses free hand machine embroidery as a tool to convey emotion and a sense of calmness and balance. The use of colour plays a significant role — vibrant threads contrast against one another in blocks of colour, creating depth and movement. The layering and textures of the stitches invite viewers to come closer and engage with the work, adding an element of intimacy.

There's often an undercurrent of personal reflection and exploration of identity and memory, as well as a sense of vulnerability in his art. The beauty of imperfections is embraced serving as a reminder to be self-accepting, embracing of all of life’s experiences and in turn challenging the notion of "perfectionism". His art is a reflection of life’s journey, not about a destination.

“I understand my medium so intimately, its idiosyncrasies don’t hinder me – my deeper-self knows how to control the complexities of the machine, the thread, the fabric, the noises that the machine provides. As a result, when I create, I am free from thinking about the mechanics - instead I am free to sink into calmness and the inner tranquillity that guides my art.” 

The meaning behind JPR Stitch’s artwork is multifaceted. It engages with deep themes of identity, memory, imperfection and a sense of balance, all while offering a tactile, sensory experience that resonates on an emotional level. His art encourages viewers to slow down, observe the threads and reflect.

“My practice and art give me the space in a busy world to find a sense of balance; I hope that when you look into my art, you too find this same sense of calmness, balance and tranquillity.”

Since 2008, Jack has had a portfolio career within the arts -  operating as an art dealer (specialising in Post-War and Contemporary prints and multiples), working with museums and arts organisations as a cultural consultant, supporting community arts (co-managing a charitable arts venue, working as a community artist, securing funding for arts organisations as well as teaching) and he has also spent time researching into art-world practices (via doctoral research into the artist-dealer relationship as well as publishing and lecturing on this topic). He had always created his own art but in 2021, this became his main focus.